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Pontara, Tobias Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Musicology. 2011 (English) In: Nineteenth Century Music, ISSN 0148-2076, Vol. 34, no 3, p. 302-315 Article in journal (Refereed) Published Exploring the multilayered relationship between music, sound, film image and narrative space, Pontara provides penetrating and innovative close readings of Solaris (1972), Mirror (1975), Stalker (1979), Nostalghia (1983) and The Sacrifice (1986) and in turn deeply enriches critical understanding of Tarkovsky's films and their relation to the broader traditions of European art cinema. Pontara, Tobias. Andrei Tarkovsky's Sounding Cinema : Music and Meaning From Solaris to The Sacrifice.. APA Pontara, T. Andrei Tarkovsky's sounding cinema : music and meaning from Solaris to The Sacrifice.. Chicago Pontara, Tobias, Andrei Tarkovsky's Sounding Cinema: Music and Meaning From Solaris to The Sacrifice.

Ben Winters (The 1 Apr 2021 Tarkovsky's Solaris, when Johann Sebastian Bach's chorale prelude Ich ruf zu dir , Herr Jesu layer to the movie (Pontara, 2014). “The Monk Andrei Tarkovsky: Stalker | The Mookse and the Gripes Foto. Andrei Tarkovsky - Sculpting In Time Pages 101 - 123 - Flip Foto. The Artist's Passion According photo. Gives a Whole New Meaning to Stalker | Meaning Meme on ME.ME photo. Go to.

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Time within Time is both a diary and a notebook, maintained by Tarkovsky from 1970 until his death. 2021-3-31 · Pontara, Tobias (2014) “Bach at the Space Station: Hermeneutic Pliability and Multiplying Gaps in Andrei Tarkovsky’s Solaris” Music, Sound, and the Moving Image 8:1, 1-23.

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I varsin text närmar sig Catharina Thörn och Tobias Pontara Arthur Han har nyligen givit ut boken Andrei Tarkovsky's Sounding Cinema: Tobias Pontara: Scoring the incomprehensible: The role and significance of electronic music in Andrei Tarkovsky's Mirror (1975). Fredrika TOBIAS PONTARA. Scoring the incomprehensible: The role and significance of electronic music in Andrei. Tarkovsky's Mirror (1975).

2021-02-15 · Pontara points out the ideological problem underlying this concluding wonder: in place of failed Romantic aesthetics, Tarkovsky substitutes his own heroic gesture of transcendence. Tobias Pontara, Ulrik Volgsten Mirac 2017 (Music Focused Interdisciplinary Research & Analysis Center), Stockholm, Sweden, November 22-23, 2017 - 2017-01-01 Domestic space, music technology and the emergence of solitary listening: Tracing the roots of solipsistic sound culture in the digital Tobias PONTARA, Professor (Associate) | Cited by 25 | of University of Gothenburg, Göteborg (GU) | Read 20 publications | Contact Tobias PONTARA Andrei Tarkovsky: Interviews (Conversations With Filmmakers Series), red. John Gianvito, University Press of Mississippi, 2006, ISBN 1-57806-220-9; The Films of Andrei Tarkovsky: A Visual Fugue, av Vida T. Johnston och Graham Petrie, 1994, ISBN 0-253-20887-4; Andrei Tarkovsky, av Sean Martin, Pocket Essentials, 2006, ISBN 1-904048-49-8 Andrei Tarkovsky's Sounding Cinema adds a new dimension to our understanding and appreciation of the work of Russian director Andrei Tarkovsky (1932–1986) through an exploration of the presence of music and sound in his films.The first comprehensive study in English concentrating on the soundtrack in Tarkovsky’s cinema, this book reveals how Tarkovsky’s use of electronic music Exploring the multilayered relationship between music, sound, film image and narrative space, Pontara provides penetrating and innovative close readings of Solaris (1972), Mirror (1975), Stalker (1979), Nostalghia (1983) and The Sacrifice (1986) and in turn deeply enriches critical understanding of Tarkovsky's films and their relation to the broader traditions of European art cinema.
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PORTELLA , MIRNA BRA (5). Pris: 1492 kr. inbunden, 2019. Tillfälligt slut.

This brief but poignant appearance of Beethoven's music is both Music, Meaning and Troubled Utopias in Tarkovsky’s Cinema book. By Tobias Pontara. Book Andrei Tarkovsky’s Sounding Cinema.
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https://openlibrary.org/search?author=Pontara%2C%...

Tillfälligt slut. Köp boken Andrei Tarkovsky's Sounding Cinema av Tobias Pontara (ISBN 9780367277291) hos Adlibris. Fri frakt.

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Andrei Tarkovsky's Sounding Cinema - Tobias Pontara - Bok

Fredrika TOBIAS PONTARA. Scoring the incomprehensible: The role and significance of electronic music in Andrei. Tarkovsky's Mirror (1975).

Abstracts - Institutionen för musikvetenskap

Tarkovsky, despite his avant-garde leanings, ultimately gravitated toward nineteenth-century Romanticism and its fin-de-siècle mystical offshoots. His diaries channel Goethe (“The more inaccessible a work is to reason, the greater it is”) and Schopenhauer (“We are all dreaming the same dream”).

Tobias Pontara. He is currently working on a monograph examining the role and significance of music and sound in the Russian director Andrei Tarkovsky's films. Pontara is also Pontara, Tobias (2019). Andrei Tarkovsky's Sounding Cinema: Music and Meaning from Solaris to The Sacrifice (Music and Sound on the International Screen). 9 Feb 2021 The Ivan issue throws in Tarkovsky's elegant VGIK graduation film, The 2013); Tobias Pontara's Andrei Tarkovsky's Sounding Cinema: Music Pontara is currently working on a monograph examining the role and significance of music and sound in the Russian director Andrei Tarkovsky's films.